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	<title>The Auroran</title>
	<link>https://www.newspapers-online.com/auroran</link>
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	<pubDate>Wed May 13 15:26:14 2026 / +0000  GMT</pubDate>
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			<title>Sweetness in the Belly brought to life at TIFF</title>
			<link>http://www.newspapers-online.com/auroran/?p=24624</link>
			<pubDate>Wed May 13 15:26:14 2026 / +0000  GMT</pubDate>
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			<content-encoded><![CDATA[<img width="600" height="397" src="https://www.newspapers-online.com/auroran/wp-content/uploads/2019/09/2019-09-05-04.jpg"/>
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<p><strong>By Brock Weir</strong></p>
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<p>Over the course of this year, Aurora readers have come to
know Lilly and Aziz, the central lovers in Camilla Gibb's bestselling novel
Sweetness in the Belly.</p>
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<p>As the Aurora Public Library's selection for the 2019 One
Book One Aurora Campaign, which aims to have the whole community reading from
the same book and passing copies from one to another, this vivid depiction of
an English-born orphan living andworking in Ethiopia during the final years of
Haile Selassie's reign and falling in love with an idealistic young doctor has
captivated many readers.</p>
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<p>This Saturday, however, the story will reach a whole new
audience when the film adaptation of the novel has its world premiere at the
Toronto International Film Festival (TIFF).</p>
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<p>Starring Dakota Fanning (Once Upon a Time…in America) and
Yahya Abdul-Mateen II (Aquaman), the film was shot on location in Ethiopia. Ms.
Gibb had a chance to see parts of the film being made at the very locations
which helped inspire the story. Having recently seen a rough cut of the film,
she was tremendously moved by how director Zeresenay Berhane Mehari interpreted
her story, and she is eager to see the finished product along with the rest of
the audience this weekend. </p>
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<p>“It is tremendously exciting,” Ms. Gibb tells The
Auroran. “I hope the world is kind to my child! I am kind of amazed you can
take such a big, sprawling book and make a movie out of it. Obviously you can't
bring everything from the book into the movie, but I think they have really
captured the essence, the spirit, the mood of it – and the sadness of it, too.”</p>
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<p>“It just feels so close to me in so many ways I can't
really be objective about it. I hope the world is kind and receives it in the
spirit in which it has been created. It sounds hokey, but there has been a
tremendous amount of love for this project, and it does feel like a labour of
love on the part of everyone involved. It is not easy to go to Ethiopia and
make a feature film, but they did it and it is amazing.”</p>
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<p>It is also a labour of love that has been a long time in
the making. Film producers first bought the rights to Ms. Gibb's book more than
ten years ago. The interested parties, she said, shared they related very personally
to the story and offered a “very personal appeal” for the rights, sharing
insights from their own lives and why the story resonated so much with them. </p>
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<p>“That was one of those times when I realised that this is
a much more universal story than, perhaps, I even knew at the time,” she says. </p>
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<p>Until she read the final script, however, she wasn't sure
what would ultimately be at the heart of the cinematic version of her story. In
the end, however, the love story is its beating heart, along with the questions
it raises about where we, as a people, belong in the world, “especially in a
world where there is so much dislocation and separation – where do we truly
belong and how can we build a sense of belonging for ourselves in a new place
that we have just arrived, that we didn't necessarily arrive at by choice?”</p>
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<p>She saw this heart beating when she visited the set last
fall. She was in “awe” of the whole process, particularly by how Fanning and
Abdul-Mateen captured the spirit of her characters, and how the behind-the-scenes
crew worked tirelessly to capture the perfect looks to bring them to life. By
her own admission, how a character looks in a story is often secondary in Ms.
Gibb's creative process, but what they accomplished in the film perfectly hit
the mark.</p>
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<p>“I was really interested in knowing what the work meant
to the actors and what the story meant to actors,” she says. “I talked to
Abdul-Mateen and I don't want to put words in his mouth, but it was the first
time he had been to Africa. He's from New Orleans, he's a Muslim, his family
converted, and it really meant something for him to come to Africa, come to a
Muslim community in Africa and see a story that was originating from this
place, that was going to be broadcast to the world and be a part of that. It
really meant something to him and I was touched he had a personal investment in
the story. </p>
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<p>“They have done something beautiful.”</p>
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<p>For more information on One Book One Aurora 2019,
including where in the community to find your own copy of Sweetness in the
Belly to borrow and pass on, visit onebookoneaurora.com or visit the Aurora
Public Library.</p>
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			<excerpt-encoded><![CDATA[Film adaptation of One Book One Aurora 2019 selection by Canadian author Camilla Gibb makes its world premiere at the Toronto International Film Festival on Saturday.]]></excerpt-encoded>
			<wp-post_id>24624</wp-post_id>
			<wp-post_date>2019-09-05 19:21:08</wp-post_date>
			<wp-post_date_gmt>2019-09-05 23:21:08</wp-post_date_gmt>
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